New York: Bloomsbury, 2014 |
Razvan Popescu, a Romanian peasant boy of 11 whose father is deceased and whose mother is struggling with many children, is adopted away from his difficult home situation by a Romanian prince around the turn of the 20th century. The prince hires the best tutors who educate Razvan in literature and the arts. When they relocate to Paris, this boy of peasant ancestry begins to operate in society and is known as the prince's boy. After the prince’s death, Razvan inherits an apartment but is forced to provide sexual favors for cash.
In 1927, Dinu Grigorescu is sent to Paris by his wealthy father to become a great author or poet—to experience la vie de Boheme, but mainly to help him move on from his mother’s death 5 years earlier. While there, he is drawn to the Bains du Ballon d'Alsace, a notorious establishment where men of a certain class can procure sexual services that are a bit more out of the ordinary. It is here that Dinu meets Honore (Razvan), who supplies these services. Immediately becoming something much more than sex worker and client, and feeling a strong connection through their mutual Romanian ancestry, they fall in love.
Covering the forty years after their initial meeting, Dinu relays the internal struggle to form a permanent relationship with Razvan against the backdrop of the beginnings of obvious anti-semitism in Romania, Romania's alliance with the Nazis, and all of the social changes that come with the horrors of World War II. As an aesthete, Dinu's life is more influenced by literature and the arts. The work of Marcel Proust plays an important role in his life and how he sees the world. His close relationship with his own mother meant he connected easily to Marcel's relationship with his. As well, the work of Romanian poet Mihai Eminescu is a major influence.
Told in very plain language, this is a melancholy work. Dinu describes himself as "Romanian by birth, French by choice, and English by accident." He really seems to be a man out of time and place, a man heartbroken by the past and unable to move into the future.