Showing posts with label Hustlers. Show all posts
Showing posts with label Hustlers. Show all posts

Friday, April 19, 2019

Out of Sickness by John Paignton (John S. Barrington)

Out of Sickness by John Paignton ; London : Neville Woodbury Limited, 1950 Cover illustration by John S. Barrington
London : Neville Woodbury Limited, 1950
As the novel opens in 1939, David, an extremely handsome young Englishman, has just inherited the estate of a Frenchmen who has committed suicide in Cannes. Wanting to study art and having been supported by the Frenchman in his studies, he was now free to travel and do as he wished. Searching for love, he falls in and out of relationships with both men and women finally culminating in marriage. When that sours and he is nearly out of money, he travels by ship to America partly to avoid the encroaching war in Europe but also to avoid his feelings around his failed marriage.

When he returns to Britain the war is in full effect and much has changed. Everyone is doing what is necessary to get by, including members of his family. One of his brothers is being kept by a rich man and his sister falls into prostitution. The underworld of bohemians, queers and black market racketeers in the West End of London that we would normally associate with the period between the wars continues unaffected even once the horrors of the Blitz begin.

Acting as a stretcher bearer for the A.R.P (Air Raid Precautions), David helps to rescue those trapped in bombed buildings. While there is tremendous fear, misery, and death all around, everyone is also in search of someone to love. David goes from one person to another, searching for that special one but it always ends in disaster and disappointment. While he has liaisons with both men and women and at one point in the novel refers to himself as bisexual, his search for love is always directed towards women.

Portrait of John S. Barrington  by Angus McBean
Portrait of John S. Barrington
by Angus McBean
'Like the houses that were collapsing suddenly, completely, irrevocably, human beings were also falling to pieces, their values changing ; some mental canker was destroying happiness.'

The end of the war finds David without funds and his decision to hustle to make ends meet appears to bring his search for love to an end.

The content of the novel is based on actual experience. According to the dustjacket, 'the author spent ten years living this novel, and five years writing it.'  John Paignton was the pseudonym of John S. Barrington. Barrington is better known for his photographs of physique models published during the 1950s and 60s. After the war, he managed to get some of his earlier photos into physique magazines of the time and also started advertising at magazine kiosks in London. That's how he met Neville Woodbury, an artist and collector. Woodbury would later start an imprint that published a handful of books. In exchange for photography lessons and models supplied by Barrington he produced both Out of Sickness (with Barrington's original cover art signed 'J.S.B.') published under the Paignton moniker, and Art and Anatomy published under Barrington's actual name.

Bibliographies & Ratings: Young (2960)


Sunday, January 3, 2016

Goldie by Kennilworth Bruce

Goldie by Kennilworth Bruce; New York : William Goodwin, 1933
New York : William Goodwin, 1933
Of the gay novels of the 1930s, Goldie is the most elusive. Held by less than a handful of libraries (in special collections departments), one assumes that there are no more than an equal number being held by independent collectors. Some kind soul posted the image I include here on LibraryThing.

Synopses of this rare novel appear in three publications. Roger Austen's is the first and most complete in his Playing the Game: The Homosexual Novel in America (1977). James Levin's The Gay Novel in America (1991) and John Laughery's The Other Side of Silence: Men's Lives and Gay Identities: A Twentieth-Century History (1998) both rely on Austen (as I will).

A young man from the midwest, Paul Kameron, is an ace pilot with the Royal Flying Corps during World War I. Bailing out over Germany, he is 'brought out' while being held in a POW camp. After the war, he returns to New York with his lover, a furrier he met in Europe. Paul grows more comfortable with having entered 'Limbo' (his term for 'the gay life') when he discovers there are "more than four million others in the United States who dwelt in that twilight realm of sex."

Paul transforms into Goldie when he begins dying his hair. After his lover catches him with the shop janitor, he breaks it off and Goldie is left to hustle on Broadway. He later has an affair with a gangster and starts working in a gay restaurant in the Village.

Goldie's friend, Jack Shaw, has the idea to form a gay liberation club. Its first meeting takes place in the restaurant and draws six people, including Goldie. In drafting their resolution, they aim to abolish the laws in the State of New York that make 'inversion' a crime. They cite both France and Italy having both eliminated similar laws over 100 years ago. Thus, The Twilight League was born. And just as quickly it met its demise due to its members each having plans to exploit the League in different ways, up to and including running a connections service where "wolves could obtain fairies."

Laughery, in The Other Side of Silence, ends his synopsis of Goldie by asking the question "... in 1933 who knew any homosexuals who thought they had civil rights to agitate for?" George Chauncey's Gay New York: Gender, Urban Culture, and the Making of the Gay Male World 1890-1940 (1994) offers a place to start answering this question.

FROM TOP TO BOTTOM: Magnus Hirschfeld, Henry Gerber
FROM TOP TO BOTTOM: Magnus
Hirschfeld, Henry Gerber
It is accepted that the mass mobilization of American men during WWII and their exposure to more progressive attitudes about sexuality in Europe led gay men after the war to see new possibilities for their own lives, especially as they settled in New York and San Fransisco. The evidence also suggests that service members during WWI, albeit fewer of them, were also exposed to a cultural and political climate for homosexuals in both Paris and Berlin which far surpassed what they could have imagined in small-town America or even New York.

Magnus Hirschfeld founded The Wissenschaftlich-humanitäres Komitee (Scientific-Humanitarian Committee) in May 1897 to campaign for legal recognition of gay lesbian and transgender men and women and against their persecution (specifically Paragraph 175). It was the earliest gay rights group, but certainly not the only one in early 20th century Berlin. It continued its activities through 1933, when the Nazis destroyed The Institut for Sexualwissenschaft  (Institute for Sexual Sciences) which housed it's offices.

From 1920 to 1923, Henry Gerber had served with the Army of Occupation in Germany after WWI and had seen firsthand the openness of Berlin during this time and was upset about the way homosexuals were treated in the United States. In December 1924, now living in Chicago, Gerber founded The Society for Human Rights by filing a charter with the State of Illinois. Gerber chose to use the same name as was used by the german group he most closely identified with, Bund für Menschenrecht (The Society for Human Rights).

A police raid and subsequent arrests brought The Society for Human Rights abruptly to an end in the summer of 1925. Gerber's Society had concentrated  its efforts on the State of Illinois where they focused on reforming laws that criminalized homosexual acts. This sounds suspiciously similar to the goals of The Twilight League in the State of New York in Kenilworth Bruce's Goldie. After three costly trials for deviancy (all eventually dismissed), and the loss of his job with the post office, Gerber relocated to New York. One wonders if Kennilworth Bruce didn't borrow from Gerber's life when writing Goldie.

For more about Goldie and hustler culture, see George Chauncey's Gay New York: Gender, Urban Culture, and the Making of the Gay Male World 1890-1940 (1994) and Mack Friedman's Strapped for Cash: A History of America's Hustler Culture (2003). For an excellent history of the gay rights movement in Berlin see, Robert Beachy's Gay Berlin: Birthplace of a Modern Identity (2014). For more about Henry Gerber and The Society for Human Rights, see Jonathan Ned Katz' Gay American History: Lesbians & Gay Men in the U.S.A., Revised Edition (1992).


Bibliographies & Ratings: Mattachine Review (P); Young (490,*) Note that the Mattachine Review rating of P is not defined in the legend but may be a typo for O, which means it was not examined but is believed to have pertinent content. Garde specifically excludes works that could not be examined.

Tuesday, November 10, 2015

Gay Berlin by Robert Beachy

Gay Berlin by Robert Beachy, New York : Knopf, 2014
New York : Knopf, 2014
I don't often read non-fiction, however when I saw this title I was immediately hooked. Not exactly linear, it reads more like a collection of essays on various aspects of gay life in Berlin from the mid-1800s and stopping just short of Hitler taking power, with particular focus on the Wiemar years.

We think of the gay rights movement as it relates to the Stonewall riots but multiple organizations in Berlin were fighting for gay rights (particularly the repeal of Paragraph 175) years before. Then as now, the philosophies of these organizations were not monolithic. As well, they included members who ranged from the most liberal to the most conservative (including members of the far right Nazi Party).

It is a complicated history with strong connections to both the youth group movement and male prostitution. Along the way Beachy makes the connections to many literary works, some of which are well known ... some not so much. Isherwood and Auden spent time in Berlin as has been widely read about in Isherwood's Berlin Stories and more truthfully in Christopher and His Kind. I'll definitely want to track down the diaries, autobiographies and thinly veiled autobiographical novels from others of the time. A short list of literary works available in German at the time (André Gide's Immoralist (1902), Herman Bang's Mikaël (1904), Mikhail Kuzmin's Wings (1906)) will also make for some interesting reading. Maybe less well known are the gay silent films of the era and I'm really looking forward to exploring those.

This is a fascinating read. Let us hope that we need not wait too long for the next installment from Mr. Beachy covering gay life under Hitler.