Thursday, April 21, 2022

Playwright Christopher Adams to Adapt Screenplay for Undiscovered LGBTQ Classic ‘Finistère’

Christopher Adams
Christopher Adams

 

Playwright Christopher Adams to Adapt Screenplay for Undiscovered LGBTQ Classic ‘Finistère’

By Matt Donnelly
Variety : April 20, 2022 12:52pm PT

 

"Playwright Christopher Adams has been tapped to pen a screenplay based on the novel “Finistère.” While not widely known, the novel is a groundbreaking early tale of a gay man who falls in love with his tennis instructor at a French boarding school in the 1920s. It was written by Fritz Peters, whose entire catalogue was recently acquired by Hirsch Giovanni Entertainment. ... Adams is a noted English playwright who recently adapted the limited series “Aubade” for FilmNation. That series is based on a controversial 1957 queer Northern Irish novel [by Kenneth Martin]."

Tuesday, April 19, 2022

David by Eric Gill

David (1926) Eric Gill (English, 1882-1940) Intaglio print on paper 111 x 70 mm The Tate
David (1926)
Eric Gill (English, 1882-1940)
Intaglio print on paper
111 x 70 mm
The Tate

Sunday, April 10, 2022

Leopard in the Grass by Desmond Stewart

Leopard in the Grass by Desmond Stewart ; London : Euphorion, 1951
London : Euphorion, 1951
The setting for Leopard in the Grass is Cyropolis, Media in the years after the second World War. The British have relinquished control of the Middle-Eastern country to the native peoples but still have a significant presence in business and industry. 

John Stirling, a young British archaeologist has arrived in Cyropolis with the intention of working for the local government on archaeological digs. The locals however, think of an archaeologist as the thinnest euphemism for British agent.

John meets Sophie Abbas, a Jewish divorcée returning home from the United States and they quickly fall into a sexual relationship. While Sophie is looking for a relationship, John seems to enjoy the sex for what it is but isn't interested in attachment. Instead, he often thinks of the relationships he had with other boys during his school days. 

Owing to Britain's former colonization of the area, British citizens living in Cyropolis continue to hang together within their own enclave and within their own clubs. It becomes clear to John that he is expected to follow along.

When John finds himself in the middle of a political demonstration on the streets of Cyropolis, he is rescued by a young local and brought to his employer's car. John becomes friends with Q, the gay British artist who saved him. Q hasn't joined with the others in their clubs and has been ostracized because they believe he has 'gone native.' To be clear, it isn't the fact that Q is gay that is a problem for the other British citizens, for there are others who are as well, but it's his embrace of the local culture that seems to be the issue.

When Nimr, a Bedouin man who Q took in as a child (and seems to have had a sexual relationship with), returns after having been dismissed by Q in favor of a younger choice, Q, Sophie, and John find themselves in the middle of a drama that is both personal and illuminates the terrible consequences of colonialism.


Bibliographies & Ratings: Cory (III); Garde (OTP, a**); Mattachine Review (III); Young (3645)

Bibliographies & Ratings II: Gunn (British 45a)

Monday, April 4, 2022