Friday, May 19, 2017

Matin by Keith Vaughan

Matin (1943) Keith Vaughan (British, 1912-1977) Collage, pen and ink, crayon, wash and gouache 21 x 14 cm.
Matin (1943)
Keith Vaughan (English, 1912-1977)
Collage, pen and ink, crayon, wash and gouache
21 x 14 cm.
In 1943, Keith Vaughan began a series of gouaches based on Arthur Rimbaud's cycle of poems Une Saison En Enfer (A Season in Hell).

Morning by Arthur Rimbaud


Didn't I once have a happy youth, heroic and fabulous, to be written on leaves of gold? Too much luck! By what crime, through what error, have I deserved my present weakness? You who maintain that animals sob with grief, that the sick despair, that the dead have bad dreams, try and give an account of my downfall and present slumber. I can no more explain myself than the beggar with his endless Paters and Ave Marias. I no longer know how to speak.

From the same wilderness, in the same night, my tired eyes always awaken to the same silver star; always, through the Kings of life, the three magi - the heart, the soul, the spirit - are not stirred. Where shall we go, beyond the shorelines and the mountains, to hail the birth of the new work, the new wisdom, the flight of tyrants and demons, the end of superstition, to worship - the first to do so! Christmas on Earth?

The song of heaven, the march of peoples! Slaves, let us not curse life.

Sunday, May 7, 2017

Front Free Endpaper: Gaston Goor Illustrates Les Amitiés Particulières


Les Amitiés Particulières by Roger Peyrefitte is widely considered one of the classic pieces of romantic schoolboy fiction. It is the story of an older and a younger boy in a French boarding school who become romantically attached and about the tragedy that ensues when the affair is discovered and mishandled by the priests who run the school. The 'affair' actually is no more than some passionate letters and a couple of stolen kisses. It was translated into English and made into a film and in 1953 Flammarion published a de luxe edition in two volumes with lithographic illustrations by Peyrefitte's favorite illustrator Gaston Goor.



Frontispiece, Volume I : Georges and Lucien flanking an angel  Gaston Goor (French, 1902-1977)  Les Amitiés Particulières by Roger Peyrefitte  Paris : Flammarion, 1953
Frontispiece, Volume I : Georges and Lucien flanking an angel
Gaston Goor (French, 1902-1977)
Les Amitiés Particulières by Roger Peyrefitte
Paris : Flammarion, 1953

Title Page, Volume I : Georges reading a note with Lucien Gaston Goor (French, 1902-1977) Les Amitiés Particulières by Roger Peyrefitte Paris : Flammarion, 1953
Title Page, Volume I : Georges reading a note with Lucien
Gaston Goor (French, 1902-1977)
Les Amitiés Particulières by Roger Peyrefitte
Paris : Flammarion, 1953

Volume I : Georges observing the courtyard Gaston Goor (French, 1902-1977) Les Amitiés Particulières by Roger Peyrefitte Paris : Flammarion, 1953
Volume I : Georges observing the courtyard
Gaston Goor (French, 1902-1977)
Les Amitiés Particulières by Roger Peyrefitte
Paris : Flammarion, 1953

Volume I : Georges and André in front of statue of Tarsicius Gaston Goor (French, 1902-1977) Les Amitiés Particulières by Roger Peyrefitte Paris : Flammarion, 1953
Volume I : Georges and André in front of statue of Tarsicius
Gaston Goor (French, 1902-1977)
Les Amitiés Particulières by Roger Peyrefitte
Paris : Flammarion, 1953

Volume I : Georges and Lucien at the piano Gaston Goor (French, 1902-1977) Les Amitiés Particulières by Roger Peyrefitte Paris : Flammarion, 1953
Volume I : Georges and Lucien at the piano
Gaston Goor (French, 1902-1977)
Les Amitiés Particulières by Roger Peyrefitte
Paris : Flammarion, 1953

Volume I : Alexandre, Georges, and Lucien at communion Gaston Goor (French, 1902-1977) Les Amitiés Particulières by Roger Peyrefitte Paris : Flammarion, 1953
Volume I : Alexandre, Georges, and Lucien at communion
Gaston Goor (French, 1902-1977)
Les Amitiés Particulières by Roger Peyrefitte
Paris : Flammarion, 1953

Volume I : Georges looking at Alexandre through the window Gaston Goor (French, 1902-1977) Les Amitiés Particulières by Roger Peyrefitte Paris : Flammarion, 1953
Volume I : Georges looking at Alexandre through the window
Gaston Goor (French, 1902-1977)
Les Amitiés Particulières by Roger Peyrefitte
Paris : Flammarion, 1953

Volume I : Georges and Alexandre in the greenhouse Gaston Goor (French, 1902-1977) Les Amitiés Particulières by Roger Peyrefitte Paris : Flammarion, 1953
Volume I : Georges and Alexandre in the greenhouse
Gaston Goor (French, 1902-1977)
Les Amitiés Particulières by Roger Peyrefitte
Paris : Flammarion, 1953

Volume I : Georges in the office of the Superior Gaston Goor (French, 1902-1977) Les Amitiés Particulières by Roger Peyrefitte Paris : Flammarion, 1953
Volume I : Georges in the office of the Superior
Gaston Goor (French, 1902-1977)
Les Amitiés Particulières by Roger Peyrefitte
Paris : Flammarion, 1953

Volume I : Alexandre and Georges in Father Lauzon's room Gaston Goor (French, 1902-1977) Les Amitiés Particulières by Roger Peyrefitte Paris : Flammarion, 1953
Volume I : Alexandre and Georges in Father Lauzon's room
Gaston Goor (French, 1902-1977)
Les Amitiés Particulières by Roger Peyrefitte
Paris : Flammarion, 1953

Volume I : The exchange of blood Gaston Goor (French, 1902-1977) Les Amitiés Particulières by Roger Peyrefitte Paris : Flammarion, 1953
Volume I : The exchange of blood
Gaston Goor (French, 1902-1977)
Les Amitiés Particulières by Roger Peyrefitte
Paris : Flammarion, 1953

Frontispiece, Volume II : Love between Alexandre and Georges Gaston Goor (French, 1902-1977) Les Amitiés Particulières by Roger Peyrefitte Paris : Flammarion, 1953
Frontispiece, Volume II : Love between Alexandre and Georges
Gaston Goor (French, 1902-1977)
Les Amitiés Particulières by Roger Peyrefitte
Paris : Flammarion, 1953

Title Page, Volume II : Alexandre and Love Gaston Goor (French, 1902-1977) Les Amitiés Particulières by Roger Peyrefitte Paris : Flammarion, 1953
Title Page, Volume II : Alexandre and Love
Gaston Goor (French, 1902-1977)
Les Amitiés Particulières by Roger Peyrefitte
Paris : Flammarion, 1953

Volume II : Georges and Lucien in the dormitory with Father Trennes Gaston Goor (French, 1902-1977) Les Amitiés Particulières by Roger Peyrefitte Paris : Flammarion, 1953
Volume II : Georges and Lucien in the dormitory with Father Trennes
Gaston Goor (French, 1902-1977)
Les Amitiés Particulières by Roger Peyrefitte
Paris : Flammarion, 1953

Volume II : Georges and Lucien serving mass with Father Trennes Gaston Goor (French, 1902-1977) Les Amitiés Particulières by Roger Peyrefitte Paris : Flammarion, 1953
Volume II : Georges and Lucien serving mass with Father Trennes
Gaston Goor (French, 1902-1977)
Les Amitiés Particulières by Roger Peyrefitte
Paris : Flammarion, 1953

Volume II : Maurice, the Superior, and Father Trennes Gaston Goor (French, 1902-1977) Les Amitiés Particulières by Roger Peyrefitte Paris : Flammarion, 1953
Volume II : Maurice, the Superior, and Father Trennes
Gaston Goor (French, 1902-1977)
Les Amitiés Particulières by Roger Peyrefitte
Paris : Flammarion, 1953

Volume II : Alexandre and Georges surprised in the cabin Gaston Goor (French 1902-1977)  Les Amitiés Particulières by Roger Peyrefitte Paris : Flammarion, 1953
Volume II : Alexandre and Georges surprised in the cabin
Gaston Goor (French 1902-1977)
 Les Amitiés Particulières by Roger Peyrefitte
Paris : Flammarion, 1953

Volume II : Georges remembers Alexandre bathing Gaston Goor (French, 1902-1977) Les Amitiés Particulières by Roger Peyrefitte Paris : Flammarion, 1953
Volume II : Georges remembers Alexandre bathing
Gaston Goor (French, 1902-1977)
Les Amitiés Particulières by Roger Peyrefitte
Paris : Flammarion, 1953

Volume II : Georges and Lucien in the dormitory Gaston Goor (French, 1902-1977) Les Amitiés Particulières by Roger Peyrefitte Paris : Flammarion, 1953
Volume II : Georges and Lucien in the dormitory
Gaston Goor (French, 1902-1977)
Les Amitiés Particulières by Roger Peyrefitte
Paris : Flammarion, 1953

Volume II : Georges and Alexandre meet near the greenhouse Gaston Goor (French, 1902-1977) Les Amitiés Particulières by Roger Peyrefitte Paris : Flammarion, 1953
Volume II : Georges and Alexandre meet near the greenhouse
Gaston Goor (French, 1902-1977)
Les Amitiés Particulières by Roger Peyrefitte
Paris : Flammarion, 1953

Volume II : Georges learns of Alexandre's death Gaston Goor (French, 1902-1977) Les Amitiés Particulières by Roger Peyrefitte Paris : Flammarion, 1953
Volume II : Georges learns of Alexandre's death
Gaston Goor (French, 1902-1977)
Les Amitiés Particulières by Roger Peyrefitte
Paris : Flammarion, 1953

Volume II : Memories of Alexandre Gaston Goor (French, 1902-1977) Les Amitiés Particulières by Roger Peyrefitte Paris : Flammarion, 1953
Volume II : Memories of Alexandre
Gaston Goor (French, 1902-1977)
Les Amitiés Particulières by Roger Peyrefitte
Paris : Flammarion, 1953




This blog post was originally a reblog of two posts (Part I & Part II) from Front Free Endpaper, a site that has since closed. The post has been updated to include the original images. Descriptions for each image have been added to provide context. Based on other information available online, it appears that this set of images is incomplete, lacking one image from each volume.
- E. Neagle, 23 December 2018


Sunday, April 16, 2017

Man With a Feather by Lucian Freud

Man With a Feather [Self-portrait] (1943) Lucian Freud (British, 1922-2011) Oil on canvas 51 x 76 cm
Man With a Feather [Self-portrait] (1943)
Lucian Freud (German, English, 1922-2011)
Oil on canvas
51 x 76 cm

Friday, April 14, 2017

The Barriers Between by Marc Brandel

The Barriers Between by Marc Brandel, New York : Dial Press, 1949
New York : Dial Press, 1949
The Barriers Between is an intense Freudian novel focused on three Americans living and working in Mexico. Jordan Bushnel is a troubled artist providing art and illustration for magazines in the U.S. His love interest is Sylvia. The final member of the love triangle is fellow artist, Richard Slater, whom Sylvia attempted to bed in the past but is now just a friend (who also happens to be gay).

The novel opens with Jordan on the run and declares his culpability in the murder of Richard two days earlier. Told through flashback, what follows is a description of the events of those two days that reveals much about Jordan's state of mind. Why did he snap?

Both Richard and Sylvia think that Jordan might be gay. Jordan can't explain his attraction to Richard but doesn't interpret it as homosexual interest (although others do). Richard frequently launches subtle barbs suggesting something about Jordan's sexuality.

A significant amount of the dialogue is given over to Jordan's inner conversations in which we learn about his feelings of inadequacy as regards his role in the war. Unable to serve due to a medical condition, he sees his work as an artist-correspondent lacking in masculine credibility. Richard's service as a pilot during the war and his comfort with being gay is a challenge to Jordan's view of himself in the world. Jordan traces his feelings back to the events of his childhood including the stereotypical overbearing mother and emasculated father.

Marc Brandel (1919-1994) Author of The Barriers Between
Marc Brandel (1919-1994)
Author of The Barriers Between
The first half ends when the tension between Richard and Jordan comes to a head.  Can Jordan use his internal dialogue or self-psychoanalysis to break the barriers between and reveal his true self?

"It wasn't safe to think any longer. His mind was too tired for evasion, too weary now to divert into conventional thought or fantasy the true cause of his turbulent feelings. He knew the truth about himself now. He was loathsome, utterly vile, without any qualification. But he didn't want sympathy or pity. They needn't be afraid that he was going to break down and ask for help. He was strong enough to take care of himself. He could live the rest of his life with himself, with the secret knowledge of his own vileness, carefully, deliberately, in silence, without ever showing by word or change of expression the hidden torment inside him . . . " (p.96-7)


Bibliographies & Ratings: Cory (III); Garde (OTP, a**); Mattachine Review (III); Young (426 *)

Sunday, April 2, 2017

Saturday, April 1, 2017

Youth by Frederick Cayley Robinson

Youth (1907) by Frederick Cayley Robinson (English, 1862-1927) Pencil, watercolor and gouache on paper
Youth (1907)
Frederick Cayley Robinson (English, 1862-1927)
Pencil, watercolor and gouache on paper

Saturday, March 18, 2017

A Simple Inquiry by Ernest Hemingway

Ernest Hemingway, 1918  Portrait by Ermeni Studios
Ernest Hemingway, 1918
Portrait by Ermeni Studios
A Simple Inquiry first appeared in Hemingway's second story collection, Men Without Women, published by Scribner's in 1927. Although Hemingway doesn't explicitly describe the setting for the story, it can be deduced that it takes place in Italy during World War I.

The story opens in a snow covered military hut. The major retires to his room while his adjutant, Tonani, continues to busy himself with paperwork. When Pinin, the major's orderly enters, the major calls for him. The 19-year-old Pinin enters the major's room and is questioned about his romantic life. After the major demonstrates that Tonani cannot hear their conversation through the wall, he continues to press the orderly with  additional personal questions. The major appears to be propositioning the young man but when he is gently rebuffed, he backs off. The conversation ends with the major suggesting that Pinin could return to his platoon if he wished but if he stayed he might avoid being wounded.

This story seems a bit of a departure from Hemingway's other writings which are focused on all of the trappings of masculinity. While another of his short stories includes a gay storyline (Mother of a Queen, published in the story collection Winner Take Nothing in 1933), A Simple Inquiry's straightforward telling doesn't moralize about the characters' behaviors.

In June 1918, 18-year-old Ernest Hemingway arrived in Italy to serve as an ambulance driver at the Italian Front during World War I. The genesis for this story may have come from his observations or experiences during the war.

What is commonly termed 'situational homosexuality' presents itself throughout history in all male environments (like the military). As well, Italy has a long reputation of being more permissive around issues of male same-sex activity. In fact, it was considered a normal part of adolescent sexual education, particularly in southern Italy. In 1889 the Zanardelli Code decriminalized same-sex acts in all of unified Italy. This cemented Italy's reputation among Europe's homosexuals of tolerance and enlightenment on legislating these matters.

Bibliographies & Ratings: Cory (IV); Mattachine Review (IV) ; Young (1754*)