New York : Knopf, 1930 (later printing, 1949) |
Out of a sense of duty to his dying father, Michel marries Marceline and they honeymoon in Tunisia. While there, Michel becomes quite ill and during his convalescence, he meets a young boy, Bachir, whose beauty and strength captivate him. Seeming to now have a reason to survive tuberculosis and largely ignoring Marceline, Michel now begins to live his life according to his own desires, not what society dictates.
This way of being in and thinking about the world is strongly influenced by the ideas and writings of Oscar Wilde, who makes his appearance in the form of the character Ménalque. This is not at all surprising since Gide and Wilde were literary friends of sorts who met and corresponded during the 1890s about these very issues.
While technically a novel, it reads more like a philosophical defense, something along the lines of Gide's Corydon (1924) where he offers a more specific defense of homosexuality in the form of four Socratic dialogues.
Bibliographies & Ratings: Cory (IV); Garde (Primary, **); Mattachine Review (IV); Young (1420,*)
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