New York : Farrar, Straus and Giroux, 2019 |
As with Wilberforce, Cross pays homage to the classic boarding school novels and authors. Riding, who writes fantastic stories which, with the help of other students are acted out in secret, provides a connection to the lives of C. S. Lewis and J. R. R. Tolkien. Interestingly, while Wilberforce follows the classic form of focusing on games, they are only mentioned in passing in Grievous. The action here is focused more on choir, creative writing and acting.
A central theme of the novel is illness and death. Many characters have experienced the death of a parent or spouse and frankly none of them handle it well. Neither the students, nor the adults seem to be able to talk about their feelings, causing any number of misunderstandings and errors in judgement. Grieves' troubled personal life manifests in his impossible relationship with a married woman who is now ill and traveling with her daughter throughout Europe and America to find a cure.
Riding and Grieves are heavily involved in each others lives but this manifests itself almost exclusively in their relationships with others. Over the summer while Cordelia is traveling with her mother to find a cure, she is engaged in a one way correspondence with Riding about her days. As well, Riding's mother, a nurse, is corresponding with Grieves who is trying to help the woman he loves find a cure.
New York : Fox Books, 2008 |
Grievous is described as Cross' second novel, but it has its roots in a novel called Riding, published by Cross in 2008. Riding was issued in two volumes amounting to over 1000 pages. Following the same structure, Grievous has been tightened up and the writing generally improved. In Riding the bones are certainly there, while 10 years hence, Grievous is a much stronger work. In a July 28, 2008 interview with Amande Green, Cross spoke about Riding and described her next work at the time as a prequel called Wilberforce.
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