Cloudscape, Santa Fe

The Promising Young Men by George Sklar

New York: Crown Publishers, 1951

Stevie Kropa grew up poor and saw his tennis talent as a way to  achieve his goal of becoming a doctor. He learns quickly that although the tennis organization provides for him, they get much more out of it than he does. His wife Kay doesn't understand why, given all of the special treatment he gets as a tennis player, he still wants to go to school.  This tension destroyed his marriage. An older, more experienced player, Calder, takes Stevie under his wing, but is tennis all he has in mind?

Although not the primary storyline, Calder's homosexuality plays an important role in the journey of Stevie. While he is surprised to discover this aspect of Calder and he does distance himself for a period of time, the mentoring he received was what helped him to succeed. After the war they meet again, not as a gay man and a straight man, but as two former 'promising young men' who have survived.

Bibliographies & Ratings: Cory (II); Garde (OTP, a, **); Mattachine Review (III); Young (3542)

Bibliographies of Gay Literature

Over the years there have been a number of bibliographies created to define and describe literature with gay content or a gay sensibility. The titles included here focus primarily on pre-Stonewall fiction. In appropriate blog entries, I will reference these bibliographies and include any associated ratings.

New York: Castle, 1960

The Homosexual in America : A Subjective Approach, 2nd ed.
Cory, Donald Webster (pseud. Edward Sagarin)
New York: Castle, 1960
Appendix D: A Checklist of Literature

The updated checklist in Cory's 2nd edition was compiled with the assistance of The Mattachine Society so significant similarity exists with the ratings from the Mattachine Review list (see below).

I. the theme is presented in a hidden fashion; its listing is matter of personal interpretation of the readers. The presentation is usually either as a glorified friendship, or a transposition of sexes.
II. the theme is rather clear, but is brief, mentioned in passing and minor to the book as a whole.
III. a major incident or a major character deals with homosexuality.
IV. the book is primarily concerned with homosexuality.

New York: Village Press, 1959

The Homosexual in Literature : A Chronological Bibliography, c.700 B.C. - 1958

Garde, Noel I. (pseud. Edgar J. Leoni)
New York: Village Press, 1959

For more information on Edgar J. Leoni and the history of this bibliography, see Hugh Hagius' Swasarnt Nerf's Gay Guides for 1949.

Primary: Central character(s) clearly homosexual(s) and/or homosexuality is intrinsic part of central theme or network of plots.
Other Than Primary (OTP): All other works not considered as "Primary", and differentiated by the following letter-symbols:

a: substantial, explicit dialogue or exposition involving major homosexual character(s).
b: substantial dialogue or explicit exposition involving minor homosexual character(s).
c: latent, veiled, repressed or implied homosexuality of a major character.
d: brief, superficial references in dialogue or exposition, whether involving major or minor homosexual characters.
e: third-person references (character not in book); latent, veiled homosexuality of minor character in work of a significant author.
f: false suspicion or accusation, or self-suspicion.

In some cases, where use of one letter alone would give an inadequate impression, several are used in combination, e.g. c/d or b&c.

It does not by any means follow that all works which by definition are "Primary" are necessarily more significant, even with respect to substantial homosexual content, than all OTP works. To provide some further guidance, references include the following asterisk notations, uniform to both Primary and OTP listings:

*** very substantial
** quite substantial, or something of especial interest
* not very substantial
(no asterisk) rather negligible

San Francisco: Mattachine Society, 1957-1960

Mattachine Review, Homophilic Bibliography

v.3:no.8 - v.6:no.11

Aug. 1957 - Nov. 1960

San Francisco: Mattachine Society

Beginning with Part V of the bibliography the focus shifts to fiction, poetry, drama, biography, etc. (Prior installments focused on technical and reference books on homosexuality.)

I. works in which homosexuality is only implied, suggested or presented in a veiled fashion

II. works in which homosexuality, while appearing in clear-cut fashion, plays only a minor part, or in which a minor character is a homosexual.

III. works which include a major or important homosexual episode, or in which a major character is a homosexual.

IV. works dealing primarily with homosexuality, or in which homosexuality is the most important theme.

Metuchen, NJ: Scarecrow Press, 1982

The Male Homosexual in Literature : A Bibliography, 2nd ed.

Young, Ian

Metuchen, NJ: Scarecrow Press, 1982

This is the gold standard and is often referenced in the used book market for items of gay interest. Young references both Cory and Garde for their earlier lists. Although items from both Cory and Garde are included in Young, the rating systems these authors used provide a level of detail (although subjective) that Young lacks.

[W]orks of primary importance (those in which homosexuality is a major aspect or which are otherwise of particular relevance) are marked thus *. Items not marked in this way have undefined homosexual content.

Lovers at the Chameleon Club, Paris 1932 by Francine Prose

New York: Harper, 2014

Primarily the story of Lou Villars, a French athlete, race car driver, butch lesbian, and in the end a collaborator with the Nazis, Prose's novel begins in the mid 1920s and continues through World War II and the liberation of France. At the center of the story is the Chameleon Club, a cabaret in Paris where our diverse characters first meet and the famous photograph that provides the book's title is taken.

Brassai
Lesbian Couple at
The Monocle, 1932

The novel is told by turns through the letters of Gabor Tsenyi (based on Brassai), a Hungarian photographer who documents the underbelly of Paris as it moves toward the German occupation, the memoirs of Lily de Rossignol (a baroness married to a gay man) who surrounds herself with artists and art, the writings of Lionel Maine (Henry Miller), a controversial American writer and a present day biography of Lou Villars herself.

Although much of the novel's action is revealed on the dust jacket, there remain a few surprises. It's an insanely well-written, smart novel that had me vacillating between reading quickly to find out what happens next and reading slowly because I didn't want it to end.

Morning walk

Hydrangea arborescens

Cady Wells and Southwestern Modernism edited by Lois P. Rudnick

Santa Fe: Museum of New Mexico Press, 2009

The Museum of New Mexico Press released Cady Wells and Southwestern Modernism edited by Lois P. Rudnick on October 15, 2009. From the editor: 

H. Cady Wells (1904-1954) was the child of Yankee scions who built the American Optical Company in Southbridge, MA, and who went on to found “Old Sturbridge Village” as an Anglo-Saxon preserve of American colonial history. He “ran away from home” in the early 1930s, and settled in New Mexico (1932-1954), where he became part of the thriving gay (and straight) community of writers, artists, and patrons of the arts. Wells developed both a regional and national reputation for his darkly moody and technically brilliant semi-abstract watercolors, which responded to northern New Mexico’s physical and cultural landscapes in ways that set him apart from most of his New Mexican modernist peers.  After his return from the European theatre in World War II, he was exposed to the continuing weapons project at Los Alamos, 12 miles from his home in the Pojaoque Valley, which profoundly influenced his painting.  Wells met Fritz Peters in December 1951, and he spent the summer of 1952 with Fritz in France.  They remained lovers until March 1953, although their friendship continued until Cady’s death on November 5, 1954.  In December 1951, Cady wrote to a close friend about meeting Fritz:  “He is a writer named Fritz Peters.  His first novel, ‘The World Next Door,’ is one of the most moving of all of the books to come out of the war. His last one [Finistère] is the most sensitive book on homosexuality I have ever read.  We enjoy each other’s company and are congenial in every way.”

A Cady Wells (1904-1954) retrospective guest curated by Ms. Rudnick entitled Under the Skin of New Mexico: The Art of Cady Wells 1933-1953 was shown at The University of New Mexico Art Museum in January 2011. Cady Wells and Southwestern Modernism serves as the catalogue for this exhibition of 29 paintings. For more information on Cady Wells see Lois Rudnick's entry on Cady Wells entry in the glbtq ARCHIVE.

This post originally appeared in slightly different form on FritzPeters.info, October 7, 2009.

Hello Emily by Fritz Peters

New York : Harper's Bazaar, August 1950

Hello Emily is the only published short story by Fritz Peters. The piece was purchased by Harper's Bazaar in early 1949 and it appeared in the August 1950 issue of the magazine. Fritz married Mary Louise Aswell, the fiction editor for Harper's Bazaar, in June of that same year. They likely met while Fritz was working as assistant to Louise Dahl Wolfe, a well known fashion photographer of the time who did extensive work for Harper's Bazaar. 

Hello Emily is the story of an older woman living in New York City who experiences a series of events that become linked in her mind; but are they really simple coincidence? A troubling experience on the subway, the fear of being followed and telephone harassment are all part of the narrative. In a city of 8 million people, there is no safe haven … at least not in her own mind.

This post originally appeared in slightly different form  on FritzPeters.info, March 8, 2008.