New York: Farrar, Straus & Giroux, 2021 |
In Maurice, Forster tells the story of Maurice's relationship with Clive both from Maurice's and from Clive's perspectives. But when it comes to Maurice's relationship with Alec, he only provides the story from Maurice's perspective, preferencing an upper class telling.
Di Canzio has chosen to give voice to Alec in his novel, providing a brief telling of his younger years (as Forster did for Maurice) and then telling the story of Alec and Maurice meeting and falling in love, but this time from Alec's perspective. The author has even used some direct language from Maurice in this section to create a continuity between the works. Where I think Di Canzio excels is at providing believable alternatives to what Maurice thought was happening in the original text.
One could really be satisfied with just this much of Alec, taking the reader to the point in time where Maurice ends. Di Canzio opts, however to take us further. He creates a life for the characters that is much more uplifting than Forster's ending, much less his abandoned 1914 epilogue. He takes them into World War I, an area we know from Forster himself that he was unable or unwilling to go.
Like Maurice, Alec is a romance. Di Canzio doesn't shy away from the sex either. In the early chapters the sex scenes read a bit like Victorian erotica but they begin to be described in a more modern way as our characters and the world experience the changes that WWI brings. This is a worthy companion piece, allowing us to spend just a bit more time with these classic characters.
Thank you for reading my work and for the kind words about ALEC. --William di Canzio
ReplyDelete