Wednesday, November 19, 2014

Donald DeLue's The Rocket Thrower, Queens, NY

The Rocket Thrower (1963)
Donald DeLue (American, 1897-1988)
Bronze
Flushing Meadows-Corona Park, Queens NY
43 ft. tall

Monday, November 17, 2014

Lipchitz in Atlanta

Acrobat on Horseback (1914)
Jacques Lipchitz (Lithuanian, American, 1891-1973)
Bronze
High Museum of Art

Monday, September 22, 2014

James Purdy (July 17, 1914-March 13, 2009)

I became aware of James Purdy’s work shortly before his death in 2009. Not knowing exactly where to begin, I decided to begin at the beginning with his collection of short stories titled, Don’t Call Me By My Right Name (subsequently published with his first novella 63: Dream Palace as Color of Darkness (New Directions, 1961)). I haven’t been so enamored with a short story collection in a very long while. Having recently picked up a copy of The Complete Short Stories of James Purdy (Liveright, 2013), I look forward to reading more of his work. Wired for Books has posted some very good interviews with Purdy conducted by Don Swaim in the 1980s.

This post originally appeared in slightly different form  on FritzPeters.info, April 18, 2009. 

Sunday, September 21, 2014

The Book of the Year by Fritz Peters

The Book of the Year by Fritz Peters. New York : Harper & Bros., 1950
New York:  Harper & Bros., 1950
After the tremendously successful The World Next Door, Fritz Peters took a break from writing adult fiction and produced a wonderful children's book. The Book of the Year is about country life and is told from 12 perspectives, one for each month. Fritz, by turns,  tells the story of the house, the brook, the crocus, the grass, the tree, the rain, the sun, the wheat, the fire, the wind, the cricket and the Christmas tree. The writing is poetic and paints pictures that are enhanced by the wonderful illustrations by Ilonka Karasz.

The Book of the Year was marketed as a children's book, however as an adult, I found it to be one of the most engaging children's books I've seen. What I found so compelling about the work was that each of the chapters can stand alone and the story that is being told is so interconnected, you could begin reading anywhere in the book. As well, the illustrations by Ilonka Karasz work so well with the text. "Her aim was to illustrate the book in such a way that the drawings would be an extension of the emotion and visual elements of the text, rather than an interpretation of the events." (dustjacket) In this endeavor, Ms. Karasz was completely successful.
All the Year 'Round: The Book of the Year by Fritz Peters. New York : Lion Press, 1966
New York : Lion Press, 1966

A second edition was released by The Lion Press in 1966 under the title, All the Year 'Round: The Book of the Year. It includes the same text as was in the 1st edition, but was re-illustrated by Nancy Grossman. The new illustrations work well with the text, but are quite different in feeling than the originals. The most striking difference is that the new edition has two illustrations per chapter, while the original had a single illustration. Ms. Karasz, in the 1950 edition was able to convey nearly all of the imagery from the text in a single image. Part of the joy of her artwork is trying to find all of the little things that she managed to include. The Grossman illustrations, while adequate, don't convey that level of detail.

When I first discovered that Fritz Peters had written a children's book, I was puzzled. His adult fiction was so intense, I wondered why he chose to write this book. After reading The Book of the Year, I think that it was less about writing a children's book and more about writing something poetic and spiritual. Understanding how humans relate to each other and the other aspects of nature and seeing the interdependencies all living things rely upon is a deeply spiritual vision. All of Fritz's writings, I feel were used to tell his truths. This book is no different. If there is anything that we should gain from reading this book it is that we are all connected. And that is a beautiful thing.

This post originally appeared in slightly different form  on FritzPeters.info, January 17, 2010. 

All Things Human by Stuart Benton (George Sylvester Viereck)

New York: Sheridan House, 1949
Viereck is probably more well known for his  autobiographical pulp, Men Into Beasts which detailed his imprisonment from 1942 to 1947 for his Nazi sympathies and his work as a correspondent for a Nazi publication.

All Things Human is the story of Stuart Kent, a banker in Midmetropolis, who ends up on the wrong side of a powerful politician. The day after he has sex with his secretary, he is arrested for her murder. His lawyer is more interested in Kent's wife than he is in defending him.

It's a bit sensational and trashy but at the same time shows the fluidity of sexuality, in and out of prison. It's about having everything, losing it all and finding yourself in the process.

Bibliographies & Ratings: Cory (III); Garde (OTP, a, **); Mattachine Review (III); Young (260)

Sunday, July 20, 2014

The Promising Young Men by George Sklar

The Promising Young Men by George Sklar. New York: Crown Publishers, 1951
New York: Crown Publishers, 1951
Stevie Kropa grew up poor and saw his tennis talent as a way to  achieve his goal of becoming a doctor. He learns quickly that although the tennis organization provides for him, they get much more out of it than he does. His wife Kay doesn't understand why, given all of the special treatment he gets as a tennis player, he still wants to go to school.  This tension destroyed his marriage. An older, more experienced player, Calder, takes Stevie under his wing, but is tennis all he has in mind?

Although not the primary storyline, Calder's homosexuality plays an important role in the journey of Stevie. While he is surprised to discover this aspect of Calder and he does distance himself for a period of time, the mentoring he received was what helped him to succeed. After the war they meet again, not as a gay man and a straight man, but as two former 'promising young men' who have survived.

Bibliographies & Ratings: Cory (II); Garde (OTP, a, **); Mattachine Review (III); Young (3542)