Undue Fulfillment* by Kathleen Coyle

New York : William Morrow & Co., 1934

"It is not a crime to be a poet."

"No ... it places one on a plane where crime is so sublimated that it has another name."

In the vein of Birabeau's Revelation (1930), Undue Fulfillment is focused on a mother dealing with her son's relationship with another man. Although in this instance we hear from the son, the primary focus of the action is on the mother and her thoughts and feelings about her adult son's life and whether she has been successful at raising him.

Agatha's late husband served in World War I and having struggled since his years of service committed suicide while their son Lawrence was still young. As Lawrence grew up, Agatha held him close—too close she decided. For  fear that he would not be able to disengage from his relationship with his mother enough to find a wife, Agatha returns to the convent in Ireland where she grew up, leaving Lawrence their home in Paris.

Upon hearing that Lawrence's relationship with Lena has ended, Agatha travels to Paris in hopes of bringing the two back together. Upon meeting with Lena, Agatha learns the reason for the split—Lawrence's new close relationship with Cesar Brak, a poet from Lawrence's parent's generation. While the relationship is not labeled as gay or homosexual, it is clear from what is said (and what is not said) that the relationship is sexual.

Structured around Agatha's connection to the convent and her brother Owen being a monk, there is a strong religious morality to the story. Lawrence's father who committed suicide was named Judas and appears to serve as a symbol of betrayal of his wife and child. This is juxtaposed with Cesar Brak and his generation having served in the war which was so devastating that it is hard to reconcile with the existence of any god. This is a philosophical novel about the nature of motherhood and how we reconcile our spiritual life with the challenges of being human in an ugly world. 

* Also published under the title Undue Fulfilment by Ivor Nicholson & Watson Ltd., London (1935).

Bibliographies & Ratings: Cory (IV); Garde (P 50 *); Mattachine Review (IV); Young (839)

Conflict by Christopher Richard Wynne Nevinson

Conflict (c.1926-27)
Christopher Richard Wynne Nevinson (English, 1889-1946)
Drypoint, printed in red
34.9 x 26.1 cm.
Victoria & Albert Museum

 

Behind the Mirror by Robin Maugham

London : Longmans, 1955
Jacket design: John Minton

David Brent is a screenwriter for a film company based in London. The latest project about the life of Daphne Moore, a famous actress from the 1920s, has hit a snag. Norman Hartleigh, a former diplomat who was deeply involved with Daphne has ignored all correspondence from the firm regarding permission to depict him in the film. David journeys to Tanganyika (a British colonial territory that now makes up a portion of Tanzania) to secure Hartleigh's blessing.

Although it covers a significant amount of land, the fictional Aruna feels like a small town where rumors fly and everyone believes they know what everyone else is doing. Hartleigh is ostracized by the other residents for what they perceive as an inappropriate relationship with the young man, Bill Wayne, who lives with him. The colonists see the local residents as servants, not as equals so when Hartleigh moves an African girl into his home it creates another set of concerns for them.

While David negotiates permission from Hartleigh for the film, rumors are confirmed and secrets are revealed, endangering everyone. Hartleigh eventually reveals the truth of his relationship with Daphne Moore and their falling out, upending everything David thought he knew.

Bibliographies & Ratings: Cory (III); Garde (OTP, **); Mattachine Review (III); Young (2559/2560)

Matelot accoudé by Frans Masreel

Matelot accoudé (1929)
Frans Masreel (Flemish, 1889-1972)
Oil on canvas
100 x 81 cm

 

Aubade by Kenneth Martin

London : Chapman & Hall, 1957

Aubade is a heartfelt coming of age novel written when the author was just sixteen. Paul Anderson has just finished school and has taken a job at a tobacconist's shop for the summer before beginning university. His mother is insisting that he attend university although Paul really doesn't know what he wants to do. He spends some time with friends but often quarrels with them. He is lonely and seems to prefer his own company. 

One day, the young man Paul has named Gary (we later find that his name is John Knight) enters the tobacco shop. Paul had noticed him in church sometime earlier and had thought about what it might be like to be friends with him. Those overwhelming feelings of wanting to spend time with him initially go unclassified, but when they do start spending time together it begins to be clear there is mutual feeling and also what those feelings mean. The battle between one's own feelings and desires versus what one's parents or society expects is ever present as is a pervasive loneliness.

The writing is straightforward, almost blunt. It is easy to judge the authorial skill based on the author's age. To do so, though, would be unfair. The straightforward style is in keeping with Paul's desire to keep people at a distance. Many of the things he says are harsh and in many ways they serve to insure that he will remain lonely. He even says at one point that there is joy in misery. Early on in the novel, the author uses the poem, Black Marigolds, foreshadowing  the feelings of sadness related to remembering a first love. Later in the novel, Paul says he "want[s] to remember Gary, and be sad, always."

Black Marigolds is a poem originally written in Sanskrit a portion of which appeared in John Steinbeck's Cannery Row.

Bibliographies & Ratings: Cory (IV); Garde (Primary, **); Mattachine Review (IV); Young (2539,*)

Bibliographies & Ratings II: Gunn (British 59a)

Playwright Christopher Adams to Adapt Screenplay for Undiscovered LGBTQ Classic ‘Finistère’

Christopher Adams

 

Playwright Christopher Adams to Adapt Screenplay for Undiscovered LGBTQ Classic ‘Finistère’

By Matt Donnelly
Variety : April 20, 2022 12:52pm PT

 

"Playwright Christopher Adams has been tapped to pen a screenplay based on the novel “Finistère.” While not widely known, the novel is a groundbreaking early tale of a gay man who falls in love with his tennis instructor at a French boarding school in the 1920s. It was written by Fritz Peters, whose entire catalogue was recently acquired by Hirsch Giovanni Entertainment. ... Adams is a noted English playwright who recently adapted the limited series “Aubade” for FilmNation. That series is based on a controversial 1957 queer Northern Irish novel [by Kenneth Martin]."

David by Eric Gill

David (1926)
Eric Gill (English, 1882-1940)
Intaglio print on paper
111 x 70 mm
The Tate